Uniform Fasces - Strength Through Feeling Nothing

"Uniform Fasces is a solo noise project from Los Angeles, California. This is a long awaited debut release that captures three excerpts recorded on tape from a large collection of material. These particular tracks convey the transition of a young soldier's beliefs into ideas. All tracks recorded in Los Angeles, California" From Colony



Deathpile - G.R.


Deathpile

"From 1995 to 2004 Jonathan Canady led the classic american power electronics band Deathpile, which culminated in the 2003 release of G.R., the band’s final album. Co-released by Force of Nature Productions and Hospital Productions, the album instantly set a new benchmark in extreme music, providing a fully realized, investigative, confrontational intensity, while exploring the perspective of the perpetrator, in this case one Gary Ridgway. Longtime industrial and experimental musician David E. Williams provides masterful analogue synth work alongside Canady’s devastating vocal performance, which stands as one of the most powerful in all of extreme music’s history, a testament to controlled chaos and full immersion into the most challenging of subject matters.

Canady’s dynamic artistic contributions have included time at Relapse Records as art director, releasing albums as Dead World on Nuclear Blast, Relapse and Release, exhibiting internationally as a visual artist, as well as operating the Malsonus label, responsible for 1999′s definitive ” The Sound of Sadism” compilation, among others."
From Hospital Records.


Cremation Lily - April Twenty-One


"Side A recorded Spring 2011. Mastered by K. Lapke in Winter 2011. Originally released as RULE-011 'Infant' in January 2012 and as RULE-016 'Nothing, Everything Hidden' in May 2012.

Side B recorded 2009 - 2010. Sketches and Allusions."

The Flowers of St. Francis - Vol. 2


 The Flowers of St. Francis


"Sprawling, claustrophobic, expansive, distorted, mangled, droning, recorded on an 8-track with an analog synth and a creaking old piano, Macuga has managed to craft a series of moving, intimate compositions that seem to crawl from the speakers.

This is music for music's sake - music made for those who truly appreciate and wish to experience music in its pure form. In other words, it ain't party music - it's the closest thing to classical we've ever released, if you can call stream-of-consciousness dronescapes and crackling, echoey organs, choirs, and disembodied fuzz classical. We can, and do. This shit is an experience like no other. I have literally never heard anything like this, and neither have you.
" From Enemies List.


Cremation Lily - Fertility Servant

Cremation Lily

"Cremation Lily began with shifting news samples and distortion, at first this just stood as a competent example of that. But things shifted up a few gears as the samples started to disappear and the guy in charge started to manically throw electronic noises together and scream into the microphone as this built up he became more confrontational, barging into the crowd angrily yelling and screaming. The set was brief and impressive with an abrupt end." From Heathen Harvest.

Zos Kia


Zos Kia

"Zos Kia was initially formed by John “Zoskia” Gosling along with John Balance and Min. This trio – along with Peter Christopherson on sound and other guests – recorded and performed several concerts in 1981/82 under the names Zos Kia and Coil, and some of this material is available on the Coil/Zos Kia release ‘Transparent’. In 1982, Balance and Christopherson left to concentrate on Coil full-time. All material released under the Zos Kia name alone was primarily the work of John Gosling. After retiring the Zos Kia name, Gosling went on to record with Sugardog, Psychic TV and work solo as Sugar J and Mekons." From Cold Spring.